Andrew Rosinski is an artist, software engineer, and independent curator whose practice investigates the intersections of art, technology, and time. Working across moving image, sound, and software-based media, he explores software not only as a tool but as a generative, processual form of art. His projects often engage with algorithmic logic, time-based constraints, and systems of collective image-making.
Motivated by a curiosity about cyclical temporality, experimental chronometry, and the reciprocity between humans, machines, and natural systems, Rosinski constructs hybrid exhibitions that span digital and physical environments. His work proposes new frameworks for aesthetic synchronization through shared temporal experiences.
Rosinski’s work has been exhibited nationally and internationally, including at the Museum of the Moving Image (New York), the Museum of Contemporary Art Chicago (MCA), the Granoff Center for the Creative Arts at Brown University, Doc Films at the University of Chicago, the Off & Free International Film Festival (Seoul), and EXPO Contemporary Art Fair Chicago.
He is a recipient of the Propeller Grant, supported by the Andy Warhol Foundation for the Visual Arts. Rosinski is the founder of DINCA, a contemporary art platform, and DINCA Vision Quest, a festival for moving image and media arts. He lives and works in Brooklyn, New York.